Volume – 1 Issue 2
DEPARTMENT OF PERFORMING ARTS , SRI VENKATESWARA UNIVERSITY TIRUPATI
PRANAV JOURNAL OF FINEARTS
“MODERN CULTURAL INFLUENCES ON PERFORMING ARTS & FINE ARTS”
01 Ragas and Scales as parallel concepts in Carnatic and Western Classical music
Udaya Kiran. K. T., Pg 1-5
02 SWARAKSHARA: The Perfect Blend Of Sangita And Sahitya
Amrithalekshmi V Pg 6-9
03 Influence of Classical Music in Modern Film Music Composers
P.Naveen Kumar & Dr. R. Govindarajan Pg 10-15
04 Tadepally Venkata Subramanya Sastry-A Composer
T Rukmini Srikrishna, & Dr.S. Umamaheswari, Pg- 16-22
V.V.S.Annapurna Akella Pg 23-29
06 Historical background of instruments used in classical dance and folk dance of Sri Lanka.
Pavithramadubashiniabeynayake Pg 30-39
07 VARNA’S IN PRAISE OF MOTHER GODDESS
Vishnuprabha.P Pg 40-44
8. Predominance Of Music Festivals In Multilateral Cultural Affinity
Shaji Antony Thekekara, & Dr.Bindu.K Pg 45-51
Sindhu K S Pg 52-55
10 Glory of Tyagaraja as portrayed in the compositions of Walajapet Venkataramana Bhagavathar
Pb Kanna Kumar And Niharikaa Ks pg 56-61
E.Sreelakshmi &Dr. J. Sankar Ganesh pg 62-70
12 A VOYAGE THROUGH THE MUSICAL REALM OF ILLUSTRIOUS KING MYSORE SHRI JAYACHᾹMARᾹJENDRA WODEYAR
Devika S Nath Pg 71-78
Mrs. Anuradha Ramesh & Dr. Ambika Kameshwar pg 79-82
14 Impact Of Modernism In Makeup And Hairstyle, Costumes And Accessories In Bharatanatyam.
Sarranyaa.R, & Dr.C.Karthikeyan pg 83- 94
15 Music and Dance Compositions in Kuchipudi Solo Repertoire
Govindu Padmavani & Dr.Lalitha Jawahar pg 95-99
16 A Study of Decorative Angas found in SvatiTirunal Kritis
Anuradha K pg. 100-104
17 Cultural Influence on the Teaching Methodologies of Carnatic Music
Shobana Swaminathan & Mrs. K. N. Deepa pg 105-108
18 CONTRIBUTION OF ŚRĪMĀN VINJAMŪRI VARADARĀJA IYENGĀR TO THE FIELD OF CARNATIC MUSIC
C.P.S. Madhuri pg 109-114
19 The Versatility of Śrī Muttuswāmy DīKṣitar’s Pañca LiṅGa Kṛti-S
Dr. Shivashankari J, pg 115-124
20 TIMING OF RAGAS FROM THE VIEW POINT OF PANDIT V.N.BHATKHANDE
Dr. Lola kesavan pg 125-132
21 Innovative Methods in Indian Classical Dance Form
P. Radhika &Dr. J. Sankar Ganesh pg 133-137
V. Sateesh pg 138-146
23 Padmavati Raga Nakshatra Malika
K. Someswari Pg 147-155
24. Entamatramuna Evvarudalachina Annamayya Saptagiri Sankirtanalu
K. Subrahmanyam pg 156-168
25. Swiya sikshana sadhanamu – ‘Sangitasourabhamu’ Swaragnani Sripada Pinakapani avishkaranamu
Bheemshankar Maruvada, pg 169-177
26. Vyaktitva vikasampai Annammayya Sankirtanala Prabhavam
Udayabhaskar pg 178-186
27 Annamayya rachanalalo tatvika paramaina amsalu
Dr.V.Sireesha pg 187-191
கு. பிரகாஷ் pg 192-195
29 பரத நாட்டியத்தில் நவீன உருப்படிகள்
S.நர்மதா pg 196-201
30 தில்லானா – இசையிலும், நடனத்திலும்.
ச.ரம்யா, & முனைவர் அம்பிகா காமேஷ்வர் pg 202-204
31 திருக்குறளில் பக்தி மற்றும் இசை
இரா. பிருந்தா pg 205-208
Sandhiya Soundararajan, Dr Sumathi & Dr. Saratha pg 209-212
கௌசல்யா .செ & ஸ்ரீமதி . நாகேஸ்வரி pg 240-243
SRIPRIYA. S pg 244-251
Dr.T.Girija Seshamamba pg 252-254