Current Issue

Dr. Subbu Lakshmi | Page no:1-8

முனைவர் ஆர். சீதாலட்சுமி | Page no:9-23

Dr. Shobana Swaminathan | Page no: 24-32

Dr Ranganayaki Sachidanandan | Page no: 33-49

லய வாத்யங்களின் நவீன வளர்ச்சிகள்

Dr Madurai K. Thiagarajan | Page 49-69

கும்பேஸ்வரர் கோயிலின் இசை மரபு

Dr R. chandra | page 70-79

பஜனை சம்ப்ரதாயமும் இசையும்

Dr. N. Muthukrishnan | page 80-89

PLAYING TECHNIQUES OF VEENA & SITAR- A COMPARATIVE STUDY

D.Niveditha | page 90-98

NAVA-VIDHA BHAKTI THROUGH THE COMPOSITIONS OF MUTHUSWAMY DEEKSHITAR

Carthik Shankar | page:99-123

RāgaMudrās in Śrī MuttuswāmyDīkṣitar’sCompositions

Shivashankari J | page: 124-133

கலைகளில் வல்ை ஞானவித்தகன் முருகக் கடவுள்

Mary Margaret Soosai | Page: 134-146

Music: It’s Effectiveness in South Indian Classical Dance – Bharathanatyam
Aparna. R | page: 147-159

A Study of Raga Shanmukapriya – An analysis
Mrs. Maanasa Sriram | page: 160-170

Lyrical beauties in the compositions of Sri Muttuswami Dikshitar
T. Sarada | page: 171-184

MATRU SRI TARIGONDA VENGAMAMBA – CONTRIBUTION TO MUSIC
G. Vishnu sai | page 185-193

Compositions of Sri Tirupati Vidyala Narayana Swamy Naidu with special reference to his Javali
Mrs.E.Sreelakshmi & Dr. J. Sankar Ganesh | page: 194-203

Behaviour of Swaras in Mela Ragas Harikambhoji and Dheerasankharabharanam as handled by Thyagaraja Swamigal-A Study

PUSHPA HARIHARAN | page: 204-223

Sathanar’s PaniruKoothu
V.Vijayalakshmi | page: 224-231

DIFFERENCES OF ABHINAYA IN BHARATHANATYAM AND
ANDHRANATYAM

Mrs R.Priyadharsini & Dr.R.EZHIL RAMAN. | Page 232-240