Jain University

 

01 THE ORAL TRADITION GIVING RISE TO DIFFERENT BĀṆIS OR PRACTICING TRADITION OF BHARATANĀṬYA

Ms Anupama Jayasimha  pg : 1- 6

02 IDENTIFYING THE IDENTITY OF MEDIEVAL ṬHĀYAS

Amrithalekshmi V  pg : 7- 9

03 Ālaya Nṛtta and its Significance

Mrs. Anuradha Ramesh  pg : 10 – 14

04 Dance Configuration in the Telugu Literature during the Kākatīya period

CHUDAMANI D  pg :15-19

05 Notating Gamakas Innovations, Advancements, and Adaptations

Deepashree S M 1 &  Dr. Hamsini Nagendra Pg : 20- 28

06 A Study of ApūrvaRāgās of ŚrīŚyāmaŚāstrī with special reference to Notational Aspects

Janaki Garimella 1 & Dr. Hamsini Nagendra 2 pg : 29- 34

07 Some insights into the Musicological reconstruction of notations of prabandha-s

K.Srilatha pg : 35- 40

08 Challenges in Notational Aspects of Research on Manōdharma Saṅgīta

Karthik Ganesh  pg : 41- 49

09 Temple Dance Compositions of Tañcāvūr Marāṭhā Dynasty

Ms Keerthy Unnikrishnan  pg : 50- 53

10 A̅ṆDA̅Ḷ- THE ETERNAL NA̅YIKA̅

Krishna Preetha Ravikumar     Pg : 54-59

11 Importance of Gītas in Learning Carnatic Classical Music

Vid. Malini Ramasubramanya pg : 60- 64

12 Bhakti Cult A Leverage to Temple Tradition and Dance

Maneesha Ratnakar Joshi  pg : 65- 67

13 A Study on References to Nāṭya as seen in the Āgama-s

MEERA SRIKANTH pg : 68 – 76

14 A Comparative Study of Kanhaiyā daṃgal and Huraṃgā of Rajasthan

Mohit Mehta1 & Dr. Pragya Pyasi2     Pg : 77- 83

15 A study to develop a Methodology to Evaluate and Assess the Effect of Music on Children with Multiple Disabilities. and Assess the

Dr N. Meena (Music) and V. Vandana (Clinical Psychologist)

Guide -Dr. R. S. Jayalakshmi  pg : 84 – 88

16 Garuḍadhvaniin Varṇa

PADMASREE  pg : 89- 94

17 Bhāma Kalāpam The Seed of Bhakti Cult in Kūcipuḍi

Govindu Padmavani1 &  Dr.Lalitha Jawahar2     Pg : 95- 99

18 Non Ritualistic Dance Compositions Related to Karnāṭaka Temples

Ms Poornima K Gururaja pg :100-106

19 Four Generations of Imadādkhānī Gharānā A Critical Study of Jhālā

Dr. Pragya Pyasi  pg : 107-114

20 Research at the Postgraduate level in Off-campus/Correspondence/Distance Education courses in Music and Dance in India.

Dr Priyashri Rao  pg  : 115-119

21 THE FEATURES OF THE RĀGA YADUKULA KĀMBHŌJĪAS SEEN IN THE COMPOSITIONS     DIVĀKARATANUJAM AND KĀMĀKṢI SVARAJATI.

RAMYA & DHARTI pg :120-123

22 Antiquity of Dance from Vedic period

Renuka.N1 & Sheela H.K Shridhar2  pg : 124-129

23 Pandit Lalan Piya’s contributions to the musical forms of Kathak

Varsha kolhatkar1 & Dr. Manjiri Deo2   pg : 130-142