{"id":802,"date":"2023-02-09T14:56:21","date_gmt":"2023-02-09T14:56:21","guid":{"rendered":"http:\/\/pranavjournals.com\/finearts\/?page_id=802"},"modified":"2024-02-06T06:58:59","modified_gmt":"2024-02-06T06:58:59","slug":"volume-2-issue-1-march-2023-1","status":"publish","type":"page","link":"https:\/\/pranavjournals.com\/finearts\/volume-2-issue-1-march-2023-1\/","title":{"rendered":"Spl-Volume 2 \u2013 Issue 1 \u2013 March 2023"},"content":{"rendered":"

Volume 2 – Volume 1 – March 2023<\/strong><\/p>\n

\u0ba4\u0bae\u0bbf\u0bb4\u0bcd\u0baa\u0bcd \u0baa\u0bb2\u0bcd\u0b95\u0bb2\u0bc8\u0b95\u0bcd\u0b95\u0bb4\u0b95\u0bae\u0bcd, \u0ba4\u0b9e\u0bcd\u0b9a\u0bbe\u0bb5\u0bc2\u0bb0\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0ba4\u0bcd\u0ba4\u0bc1\u0bb1\u0bc8<\/strong><\/h2>\n

Tamil University, Thanjavur Department of Sculpture<\/strong><\/h2>\n

\u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd<\/strong><\/h2>\n

\u0baa\u0bbf\u0bb0\u0ba3\u0bb5\u0bcd \u0ba8\u0bc1\u0ba3\u0bcd\u0b95\u0bb2\u0bc8 \u0b86\u0baf\u0bcd\u0bb5\u0bbf\u0ba4\u0bb4\u0bcd<\/strong><\/h2>\n

Pranav Journal of Fine Arts<\/strong><\/h2>\n

(A Peer -reviewed Online Quarterly Journal)<\/strong><\/h2>\n

ISSN: 2582-9513<\/strong><\/h2>\n

\u0b87\u0ba3\u0bc8\u0ba8\u0bcd\u0ba4\u0bc1<\/strong>\u00a0 <\/strong>\u0ba8\u0b9f\u0ba4\u0bcd\u0ba4\u0bbf\u0baf<\/strong><\/h2>\n

\u0baa\u0ba9\u0bcd\u0ba9\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1\u0b95\u0bcd<\/strong> \u0b95\u0bb0\u0bc1\u0ba4\u0bcd\u0ba4\u0bb0\u0b99\u0bcd\u0b95\u0bae\u0bcd<\/strong><\/h2>\n

Cultural Heritage In Indian Sculpture – A Magnificent Art Form<\/strong><\/h2>\n

<\/h2>\n
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01 \u0b9a\u0b99\u0bcd\u0b95\u0bc0\u0bb0\u0bcd\u0ba3 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b85\u0bb5\u0bc8\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0ba4\u0bca\u0bb4\u0bbf\u0bb2\u0bcd\u0ba8\u0bc1\u0b9f\u0bcd\u0baa \u0bae\u0bc1\u0bb1\u0bc8\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b95. \u0b87\u0bb0\u0bbe\u0bae\u0ba9\u0bcd<\/strong> Pg 1-7<\/strong><\/p>\n<\/div>\n

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02 \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8 \u0b87\u0ba8\u0bcd\u0ba4\u0bc1, \u0baa\u0bcc\u0ba4\u0bcd\u0ba4 \u0bb5\u0bb4\u0bbf\u0baa\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1\u0ba4\u0bcd \u0ba4\u0bb2\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0b87\u0b9a\u0bc8\u0b9a\u0bbe\u0bb0\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0bb5\u0bc6\u0bb3\u0bbf\u0baa\u0bcd\u0baa\u0bbe\u0b9f\u0bc1.<\/a><\/p>\n

\u0bb8\u0bcd\u0bb0\u0bc0\u0b95\u0ba8\u0bcd\u0ba4\u0bb0\u0bbe\u0b9a\u0bbe \u0bae\u0ba4\u0bc1\u0bb0\u0bbe\u0b99\u0bcd\u0b95\u0bbf, pg 8-16<\/p>\n<\/div>\n

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03 \u0b95\u0bc1\u0b9f\u0bc1\u0bae\u0bbf\u0baf\u0bbe\u0ba9\u0bcd \u0bae\u0bb2\u0bc8\u0b95\u0bcd\u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b86\u0b9f\u0bb1\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0b87\u0bb0\u0bbe\u0b9a\u0bc8\u0baf\u0bbe \u0ba4\u0ba9\u0bb0\u0bbe\u0b9c\u0bcd, pg 17-21<\/strong><\/p>\n<\/div>\n

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04 \u0ba4\u0bbf\u0bb0\u0bc1\u0bb5\u0bc7\u0bb3\u0bcd\u0bb5\u0bbf\u0b95\u0bcd\u0b95\u0bc1\u0b9f\u0bbf \u0b95\u0bb2\u0bcd\u0baf\u0bbe\u0ba3\u0b9a\u0bc1\u0ba8\u0bcd\u0ba4\u0bb0\u0bc7\u0bb8\u0bcd\u0bb5\u0bb0\u0bb0\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0bb5\u0bb0\u0bb2\u0bbe\u0bb1\u0bc1 \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b95\u0bb2\u0bc8<\/a><\/p>\n

\u0b9a.\u0baa\u0bbe\u0baa\u0bcd\u0baa\u0bbe\u0b9a\u0bc6\u0bb2\u0bcd\u0bb5\u0bae\u0bcd &<\/strong> \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0bb5\u0bc7.\u0bb2\u0ba4\u0bbe pg 22-30<\/p>\n<\/div>\n

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05 \u0b88\u0bb4\u0ba4\u0bcd\u0ba4\u0bc1 \u0ba4\u0bbf\u0bb0\u0bc1\u0b95\u0bcd\u0b95\u0bc7\u0ba4\u0bc0\u0b9a\u0bcd\u0b9a\u0bb0 \u0b86\u0bb2\u0baf \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8\u0b95\u0bcd\u0b95\u0bc2\u0bb1\u0bc1\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b93\u0bb0\u0bcd \u0baa\u0bbe\u0bb0\u0bcd\u0bb5\u0bc8<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0bb8\u0bcd\u0bb0\u0bc0\u0ba8\u0bbe\u0b95\u0baa\u0bc2\u0bb7\u0ba3\u0bbf \u0b85\u0bb0\u0b99\u0bcd\u0b95\u0bb0\u0bbe\u0b9c\u0bcd pg 31-35<\/p>\n<\/div>\n

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06 THE SEMIOTIC RESEMBLANCE BETWEEN THE RECENT SCULPTURE REMAINS AND THE PALLAVA-ERA SCULPTURES<\/a><\/p>\n

Sathiamoorthy, & S. Kalaiselvan pg 36-44<\/p>\n<\/div>\n

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07 Sculpture and Musical Instruments<\/a><\/p>\n

Dr. Ramya C R pg 45-53<\/strong><\/p>\n<\/div>\n

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08 \u0ba4\u0bc6\u0ba9\u0bcd \u0b87\u0ba8\u0bcd\u0ba4\u0bbf\u0baf \u0b86\u0bb2\u0baf\u0b9a\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0b87\u0b9a\u0bc8\u0b9a\u0bcd \u0b9a\u0bc6\u0baf\u0bcd\u0ba4\u0bbf\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0bb0\u0bc1\u0b95\u0bc8\u0baf\u0bbe \u0ba4\u0bc1\u0b95\u0bcd\u0bb7\u0bcd\u0baf\u0ba8\u0bcd\u0ba4\u0ba9\u0bcd pg 54-60<\/p>\n<\/div>\n

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09 \u0b9a\u0b99\u0bcd\u0b95\u0b95\u0bbe\u0bb2\u0b9a\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u2013 \u0b93\u0bb0\u0bcd \u0b89\u0bb3\u0bb5\u0bbf\u0baf\u0bb2\u0bcd \u0baa\u0bbe\u0bb0\u0bcd\u0bb5\u0bc8<\/a><\/p>\n

\u0bae\u0bbe.\u0bae\u0bc0\u0bb0\u0bbe & \u0ba4\u0bbf\u0bb0\u0bc1. \u0bb5\u0bc0. \u0b95\u0bcb\u0baa\u0bbf\u0ba8\u0bbe\u0ba4\u0bcd pg 61-66<\/strong><\/p>\n<\/div>\n

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10. \u0b85\u0bb0\u0bbf\u0b95\u0bcd\u0b95\u0bae\u0bc7\u0b9f\u0bc1 \u0b86\u0baf\u0bcd\u0bb5\u0bbf\u0bb2\u0bcd \u0b95\u0ba3\u0bcd\u0b9f\u0bc1\u0b8e\u0b9f\u0bc1\u0b95\u0bcd\u0b95\u0baa\u0bcd\u0baa\u0b9f\u0bcd\u0b9f 2000 \u0bb5\u0bb0\u0bc1\u0b9f\u0ba4\u0bcd\u0ba4\u0bbf\u0bb1\u0bcd\u0b95\u0bc1 \u0bae\u0bc1\u0ba9\u0bcd \u0b9a\u0bc7\u0bb2\u0bc8\u0b95\u0b9f\u0bcd\u0b9f\u0bbf\u0baf \u0b95\u0bb3\u0bbf\u0bae\u0ba3\u0bcd \u0b89\u0bb0\u0bc1\u0bb5\u0bae\u0bcd – \u0b93\u0bb0\u0bcd \u0bb5\u0bb0\u0bb2\u0bbe\u0bb1\u0bcd\u0bb1\u0bc1 \u0baa\u0bbe\u0bb0\u0bcd\u0bb5\u0bc8<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b9a\u0bc7 .\u0bb5\u0bc6\u0b99\u0bcd\u0b95\u0b9f\u0bcd\u0bb0\u0bbe\u0bae\u0ba9\u0bcd pg 67-71<\/strong><\/p>\n<\/div>\n

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11 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0baa\u0bc6\u0ba3\u0bcd\u0ba3\u0bbf\u0baf\u0bae\u0bcd<\/a><\/p>\n

\u0b9a\u0bc1. \u0bae\u0bc1\u0bb0\u0bc1\u0b95\u0bb2\u0b9f\u0bcd\u0b9a\u0bc1\u0bae\u0bbf & \u0ba4\u0bbf\u0bb0\u0bc1. \u0bb5\u0bc0. \u0b95\u0bcb\u0baa\u0bbf\u0ba8\u0bbe\u0ba4\u0bcd pg 72-76<\/em><\/strong><\/p>\n<\/div>\n

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12 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0baf\u0bcb\u0b95\u0b95\u0bcd\u0b95\u0bb2\u0bc8<\/a><\/p>\n

\u0baa\u0bbe. \u0ba4\u0bb0\u0bc1\u0ba3\u0bbf\u0b95\u0bbe\u0bb8\u0bcd\u0bb5\u0bb0\u0bbf, & \u0bb5\u0bc0. \u0b95\u0bcb\u0baa\u0bbf\u0ba8\u0bbe\u0ba4\u0bcd pg 77-82<\/em><\/strong><\/p>\n<\/div>\n

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13 \u0ba4\u0bbf\u0bb0\u0bc1\u0ba8\u0bb2\u0bcd\u0bb2\u0bc2\u0bb0\u0bcd \u0b95\u0bb2\u0bcd\u0baf\u0bbe\u0ba3 \u0b9a\u0bc1\u0ba8\u0bcd\u0ba4\u0bb0\u0bc7\u0bb8\u0bcd\u0bb5\u0bb0\u0bb0\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b86\u0baf\u0bcd\u0bb5\u0bc1<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0baa\u0bbe. \u0bb7\u0bc0\u0bb2\u0bbe & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0bb5\u0bc7. \u0bb2\u0ba4\u0bbe pg 83-90<\/strong><\/p>\n<\/div>\n

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14 \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd – \u0ba8\u0bbf\u0ba9\u0bcd\u0bb1 \u0ba8\u0bbe\u0bb0\u0bbe\u0baf\u0ba3\u0baa\u0bcd \u0baa\u0bc6\u0bb0\u0bc1\u0bae\u0bbe\u0bb3\u0bcd \u0b95\u0bcb\u0bb5\u0bbf\u0bb2\u0bcd<\/a><\/p>\n

\u0b9a.\u0bb0\u0bbe\u0b9c \u0bb8\u0bcd\u0bb0\u0bc0\u00a0\u00a0& \u0ba4\u0bbf\u0bb0\u0bc1. \u0bb5\u0bc0. \u0b95\u0bcb\u0baa\u0bbf\u0ba8\u0bbe\u0ba4\u0bcd pg 91-99<\/strong><\/p>\n<\/div>\n

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15 Secular themes present in the Sculptures and Structures of French in Puducherry.<\/a><\/p>\n

K.A.Babu pg 100-104<\/strong><\/p>\n<\/div>\n

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16 \u0b9a\u0bcb\u0bb4\u0bb0\u0bcd\u0b95\u0bbe\u0bb2 \u0b95\u0b9f\u0bcd\u0b9f\u0bbf\u0b9f\u0b95\u0bcd\u0b95\u0bb2\u0bc8\u0baf\u0bbf\u0bb2\u0bcd \u0ba8\u0bbe\u0baf\u0b95\u0bcd\u0b95\u0bb0\u0bcd \u0b95\u0bbe\u0bb2 \u0b9a\u0bc1\u0bb5\u0bb0\u0bcb\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0b95. \u0b9a\u0bbf\u0b99\u0bcd\u0b95\u0bbe\u0bb0\u0bb5\u0b9f\u0bbf\u0bb5\u0bc7\u0bb2\u0bcd 1<\/sup> & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd. P. \u0b95\u0bcb\u0bb5\u0bbf\u0ba8\u0bcd\u0ba4\u0bb0\u0bbe\u0b9c\u0ba9\u0bcd2 <\/sup>pg 105-115<\/strong><\/p>\n<\/div>\n

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17 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b95\u0bb2\u0bc8\u0baf\u0bc1\u0bae\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0b85.\u0bb8\u0bcd\u0bb0\u0bc0\u0ba4\u0bc7\u0bb5\u0bbf pg 116-119<\/strong><\/p>\n<\/div>\n

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18 A STUDY EXPLORING INTO THE VARIOUS KINDS OF STONES USED IN SCULPTURE AND THEIR SPECIAL QUALITIES USING<\/a><\/p>\n

Dr.K.Thiyagarajan, Dr.V.Sathiya , R.Kavitha \u00a0<\/sup>pg 120-128<\/strong><\/p>\n<\/div>\n

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19 \u0b85\u0bb4\u0b95\u0bb0\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0b85\u0bb0\u0bc1\u0b9e\u0bcd\u0b9a\u0bbf\u0bb1\u0baa\u0bcd\u0baa\u0bc1\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae. \u0b95\u0bbf\u0bb0\u0bc1\u0bb7\u0bcd\u0ba3\u0bb0\u0bbe\u0bae\u0bbe, \u0baa\u0bbe. \u0ba4\u0bb0\u0ba3\u0bbf & \u0bb5\u0bc0. \u0b95\u0bcb\u0baa\u0bbf\u0ba8\u0bbe\u0ba4\u0bcd pg 129-135<\/em><\/strong><\/p>\n<\/div>\n

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20 \u0ba4\u0bbf\u0bb0\u0bc1\u0bb5\u0ba3\u0bcd\u0ba3\u0bbe\u0bae\u0bb2\u0bc8 \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0baa\u0bbf\u0b9a\u0bcd\u0b9a\u0bbe\u0b9f\u0ba9\u0bb0\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b9a.\u0bb5\u0bc8\u0ba4\u0bcd\u0ba4\u0bc0\u0bb8\u0bcd\u0bb5\u0bb0\u0ba9\u0bcd pg 136-142<\/p>\n<\/div>\n

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21 \u0b87\u0bb2\u0b95\u0bcd\u0b95\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0baa\u0bc1\u0bb0\u0bbe\u0ba3\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0ba4\u0bc7\u0bb0\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0bb5\u0bc7.\u0bb2\u0ba4\u0bbe pg 143-147<\/strong><\/p>\n<\/div>\n

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22 HISTORY AND SCULPTURES<\/a><\/p>\n

Samyuktha, Anoupama, & V. Gobinath pg 148-156<\/strong><\/p>\n<\/div>\n

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23 \u0ba8\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1\u0baa\u0bcd\u0baa\u0bc1\u0bb1\u0b9a\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b95\u0b9f\u0bcd\u0b9f\u0bae\u0bc8\u0baa\u0bcd\u0baa\u0bc1 \u0bae\u0bc1\u0bb1\u0bc8\u0baf\u0bc1\u0bae\u0bcd – \u0b93\u0bb0\u0bcd \u0b86\u0baf\u0bcd\u0bb5\u0bc1<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0ba8.\u0bb2\u0bc6\u0ba9\u0bbf\u0ba9\u0bcd pg 157-161<\/strong><\/p>\n<\/div>\n

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24 \u0b95\u0bbe\u0b9f\u0bcd\u0b9a\u0bbf \u0bae\u0bca\u0bb4\u0bbf ( Visual language<\/a><\/p>\n

\u0b95\u0bcb. \u0bb5\u0bbf\u0bb2\u0bcd\u0bb5\u0ba8\u0bbe\u0ba4\u0ba9\u0bcd1<\/sup>& \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b95. \u0b87\u0bb0\u0bbe\u0bae\u0ba9\u0bcd2<\/sup>, pg 162-169<\/strong><\/p>\n<\/div>\n

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25 \u0b87\u0ba8\u0bcd\u0ba4\u0bbf\u0baf\u0b95\u0bb2\u0bc8 \u0bae\u0bb0\u0baa\u0bbf\u0bb2\u0bcd \u0bae\u0bc0\u0baf\u0bbf\u0baf\u0bb2\u0bbf\u0ba9\u0bcd \u0bb5\u0b95\u0bbf\u0baa\u0bbe\u0b95\u0bae\u0bc1\u0bae\u0bcd \u0bae\u0bc7\u0bb1\u0bcd\u0b95\u0ba4\u0bcd\u0ba4\u0bbf\u0baf \u0b9a\u0bb0\u0bcd\u0bb0\u0bbf\u0baf\u0bb2\u0bbf\u0bb8 \u0baa\u0b9f\u0bbf\u0bae\u0b95\u0bcd \u0b95\u0bca\u0bb3\u0bcd\u0b95\u0bc8\u0b95\u0bb3\u0bc1\u0bae\u0bcd – \u0b93\u0bb0\u0bcd \u0b86\u0baf\u0bcd\u0bb5\u0bc1<\/a><\/p>\n

\u0baa\u0bc6.\u0b9a\u0ba4\u0bc0\u0bb7\u0bcd\u0b95\u0bc1\u0bae\u0bbe\u0bb0\u0bcd1<\/sup>, \u00a0&\u0b9f\u0bbe\u0b95\u0bcd\u0b9f\u0bb0\u0bcd. \u0b95\u0bc7.\u0bb0\u0bbe\u0b9c\u0bc7\u0ba8\u0bcd\u0ba4\u0bbf\u0bb0\u0ba9\u0bcd2<\/sup>, pg 170-178<\/strong><\/p>\n<\/div>\n

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26 A Comparative study between the aspects of Composition – Govardhana Hill<\/a><\/p>\n

Santhosh Kumar1<\/sup> & Dr.K.Raman,2<\/sup> Pg 179-183<\/p>\n<\/div>\n

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27 \u0b9a\u0bbf\u0ba4\u0bcd\u0ba4\u0ba9\u0bcd\u0ba9\u0bb5\u0bbe\u0b9a\u0bb2\u0bcd \u0b95\u0bc1\u0b95\u0bc8 \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0ba8\u0b9f\u0ba9\u0bae\u0b99\u0bcd\u0b95\u0bc8\u0baf\u0bb0\u0bcd\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0b85\u0bb4\u0b95\u0bbf\u0baf\u0bb2\u0bcd \u0baa\u0bb1\u0bcd\u0bb1\u0bbf\u0baf \u0b9a\u0bc1\u0bb0\u0bc1\u0b95\u0bcd\u0b95\u0b95\u0bcd \u0b95\u0bb3 \u0b86\u0baf\u0bcd\u0bb5\u0bc1<\/a><\/p>\n

\u0bb2\u0bc6.\u0baa\u0bbe\u0bb0\u0ba4\u0bbf\u0bb0\u0bbe\u0b9c\u0bbe1<\/sup> & \u0b9f\u0bbe\u0b95\u0bcd\u0b9f\u0bb0\u0bcd. \u0b95\u0bc7.\u0bb0\u0bbe\u0b9c\u0bc7\u0ba8\u0bcd\u0ba4\u0bbf\u0bb0\u0ba9\u0bcd2 <\/sup>pg 184-187<\/strong><\/p>\n<\/div>\n

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28 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd \u0b95\u0bbe\u0bb2 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0bb5\u0ba3\u0bbf\u0b95 \u0bb5\u0b9f\u0bbf\u0bb5\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b95\u0bc1\u0bb1\u0bbf\u0baf\u0bc0\u0b9f\u0bc1\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0b95\u0bc1.\u0b95\u0bb5\u0bbf\u0bae\u0ba3\u0bbf pg 188-191<\/strong><\/p>\n<\/div>\n

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29 \u0ba4\u0bbf\u0bb0\u0bc1\u0bae\u0bb2\u0bc8 \u0b9a\u0bae\u0ba3\u0bb0\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bb5\u0bbf\u0ba9\u0bbf\u0ba4\u0bbe & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd. \u0baa\u0bca.\u0bb8\u0bcd\u0b9f\u0bc1\u0baa\u0bb0\u0bcd\u0b9f\u0bcd \u0b9a\u0bbf\u0baa\u0bbf pg 192-196<\/strong><\/p>\n<\/div>\n

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30 \u0b95\u0bc1\u0baa\u0bcd\u0ba4\u0bb0\u0bcd\u0b95\u0bb3\u0bcd \u0b95\u0bbe\u0bb2 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a> 31 \u0bb5\u0bbf\u0b9c\u0baf\u0ba8\u0b95\u0bb0 \u0ba8\u0bbe\u0baf\u0b95\u0bcd\u0b95\u0bb0\u0bcd \u0b95\u0bbe\u0bb2 \u0b86\u0b9f\u0bb1\u0bcd\u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0b9a\u0bcb. \u0bb5\u0bc6\u0ba3\u0bcd\u0ba3\u0bbf\u0bb2\u0bbe pg 197-202<\/strong><\/p>\n<\/div>\n

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32 Terracotta Sculptures of Tamilnadu<\/a><\/p>\n

Dr P Sirianjeevi\u00a0pg 210-213<\/strong><\/p>\n<\/div>\n

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33 \u0baa\u0bc1\u0bb0\u0bbe\u0ba3\u0b9a\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0b87\u0bb0\u0bbe. \u0bb0\u0bc6\u0bae\u0bbf\u0ba4\u0bbe & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0ba4\u0bc7. \u0ba8\u0bbe\u0b95\u0bb2\u0bc6\u0b9f\u0bcd\u0b9a\u0bc1\u0bae\u0bbf pg 214-221<\/strong><\/p>\n<\/div>\n

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34 \u0b87\u0ba4\u0bbf\u0b95\u0bbe\u0b9a\u0b9a\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0b87\u0bb0\u0bbe. \u0baa\u0bae\u0bbf\u0bb2\u0bbe & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0ba4\u0bc7. \u0ba8\u0bbe\u0b95\u0bb2\u0bc6\u0b9f\u0bcd\u0b9a\u0bc1\u0bae\u0bbf, pg 222-229<\/p>\n<\/div>\n

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35 \u0ba8\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1\u0baa\u0bcd\u0baa\u0bc1\u0bb1 \u0b87\u0bb2\u0b95\u0bcd\u0b95\u0bbf\u0baf\u0bae\u0bcd \u0b89\u0ba3\u0bb0\u0bcd\u0ba4\u0bcd\u0ba4\u0bc1\u0bae\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b95\u0bcd\u0b95\u0bb2\u0bc8 \u0bb5\u0b9f\u0bbf\u0bb5\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd. \u0b95\u0bc1. \u0b9a\u0ba8\u0bcd\u0ba4\u0bbf\u0bb0\u0ba9\u0bcd pg 230-238<\/strong><\/p>\n<\/div>\n

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36 \u0baa\u0b9e\u0bcd\u0b9a\u0bb5\u0bc0\u0bb0\u0bb0\u0bcd \u0bb5\u0bb4\u0bbf\u0baa\u0bbe\u0b9f\u0bc1\u0bae\u0bcd \u0baa\u0b9f\u0bbf\u0bae\u0b95\u0bcd\u0b95\u0bb2\u0bc8\u0b95\u0bcd\u0b95\u0bc2\u0bb1\u0bc1\u0b95\u0bb3\u0bc1\u0bae\u0bcd<\/a><\/p>\n

S.Kavitha pg 239-243<\/strong><\/p>\n<\/div>\n

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37 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd\u0b95\u0bbe\u0bb2 \u0baa\u0bc1\u0b9f\u0bc8\u0baa\u0bcd\u0baa\u0bc1\u0b9a\u0bcd\u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0b85\u0bb4\u0b95\u0bbf\u0baf\u0bb2\u0bcd \u0bb5\u0bc6\u0bb3\u0bbf\u0baa\u0bbe\u0b9f\u0bc1<\/a><\/p>\n

\u0b86,\u0b95\u0bbe\u0bb3\u0bbf\u0bae\u0bc1\u0ba4\u0bcd\u0ba4\u0bc1 & \u0b87\u0bb0\u0bbe\u0b9c\u0bc7\u0ba8\u0bcd\u0ba4\u0bbf\u0bb0\u0ba9\u0bcd pg 244-249<\/p>\n<\/div>\n

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38 \u0b9a\u0bcb\u0bb4\u0bb0\u0bcd\u0b95\u0bbe\u0bb2 \u0ba4\u0ba9\u0bbf\u0ba4\u0bcd\u0ba4\u0bc1\u0bb5\u0bae\u0bbf\u0b95\u0bcd\u0b95 \u0b95\u0bbe\u0bb2\u0bbe\u0ba8\u0bcd\u0ba4\u0b95 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0ba4\u0bcd \u0ba4\u0bca\u0b95\u0bc1\u0ba4\u0bbf -\u0b93\u0bb0\u0bcd \u0b86\u0baf\u0bcd\u0bb5\u0bc1<\/a><\/p>\n

\u0b95\u0bbf. \u0bb5\u0bc6\u0b99\u0bcd\u0b95\u0b9f\u0bc7\u0b9a\u0ba9\u0bcd1<\/sup> & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0ba4\u0bbf\u0bb0\u0bc1 \u0b9c\u0bc6\u0baf\u0b9a\u0b99\u0bcd\u0b95\u0bb0\u0bcd2<\/sup>\u00a0pg 250-254<\/strong><\/p>\n<\/div>\n

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39 KARANAS AT THE CHIDAMBARAM NATARAJA TEMPLE<\/a><\/p>\n

Nandita Eswari & V. Gobinathpg 255-260<\/strong><\/p>\n<\/div>\n

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40 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd \u0b95\u0bbe\u0bb2 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b95\u0bcd \u0b95\u0bb2\u0bc8\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b85. \u0b95\u0bb2\u0bcd\u0baa\u0ba9\u0bbe pg 261-264<\/p>\n<\/div>\n

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41 \u0bae\u0ba3\u0bbf\u0bae\u0bc7\u0b95\u0bb2\u0bc8\u0b95\u0bcd \u0b95\u0bbe\u0baa\u0bcd\u0baa\u0bbf\u0baf\u0ba4\u0bcd\u0ba4\u0bbf\u0bb2\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0bae\u0bc1\u0bae\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0bae\u0bc1\u0bae\u0bcd<\/a><\/p>\n

\u0b95.\u0bb8\u0bcd\u0bb0\u0bc0\u0b95\u0bbe\u0ba8\u0bcd\u0ba4\u0bcd pg 265-271<\/strong><\/p>\n<\/div>\n

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42 \u0b88\u0bb4\u0ba4\u0bcd\u0ba4\u0bb4\u0bbf\u0bb4\u0bb0\u0bbf\u0b9f\u0bc8\u0baf\u0bc7 \u0b9a\u0bc1\u0ba8\u0bcd\u0ba4\u0bb0\u0ba4\u0bc1 \u0b95\u0bbe\u0b9f\u0bcd\u0b9f\u0bc2\u0ba9\u0bcd \u0b9a\u0bbf\u0ba4\u0bcd\u0ba4\u0bbf\u0bb0\u0b99\u0bcd\u0b95\u0bb3\u0bcd.<\/a><\/p>\n

\u0bb5.\u0baa\u0bbe\u0bb2\u0bae\u0bc1\u0bb0\u0bc1\u0b95\u0ba9\u0bcd pg 272-276<\/p>\n<\/div>\n

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43 \u0bb9\u0bb2\u0baa\u0bc7\u0b9f\u0bc1 \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b95\u0bcd\u0b95\u0bb2\u0bc8 \u0b9a\u0bbf\u0bb1\u0baa\u0bcd\u0baa\u0bae\u0bcd\u0b9a\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0b9a\u0bc6. \u0b86\u0bb0\u0bcd\u0ba4\u0bcd\u0ba4\u0bbf\u0b95\u0bbe & \u0bb5\u0bc0. \u0b95\u0bcb\u0baa\u0bbf\u0ba8\u0bbe\u0ba4\u0bcd pg 277-282<\/p>\n<\/div>\n

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44 \u0ba4\u0bae\u0bbf\u0bb4\u0b95 \u0b95\u0bcb\u0bb5\u0bbf\u0bb2\u0bcd \u0b95\u0b9f\u0bcd\u0b9f\u0bc1\u0bae\u0bbe\u0ba9 \u0bb5\u0bb3\u0bb0\u0bcd\u0b9a\u0bcd\u0b9a\u0bbf\u0baf\u0bc1\u0bae\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b95\u0bcd\u0b95\u0bb2\u0bc8\u0baf\u0bc1\u0bae\u0bcd<\/a><\/p>\n

ARUN pg 283-288<\/p>\n<\/div>\n

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45 \u0bb8\u0bcd\u0bb0\u0bc0 \u0b85\u0bb0\u0bb5\u0bbf\u0ba8\u0bcd\u0ba4\u0bb0\u0bcd \u0b86\u0b9a\u0bbf\u0bb0\u0bae \u0b85\u0ba9\u0bcd\u0ba9\u0bc8\u0baf\u0bbf\u0ba9\u0bcd \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bcd – \u0baa\u0bc1\u0ba4\u0bc1\u0b9a\u0bcd\u0b9a\u0bc7\u0bb0\u0bbf<\/a><\/p>\n

\u0b95\u0bbe\u0baf\u0ba4\u0bcd\u0bb0\u0bbf.\u0ba4\u0bc01<\/sup>,\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0bb7\u0bc0\u0bb2\u0bbe.\u0baa\u0bbe2<\/sup> pg 289-301<\/strong><\/p>\n<\/div>\n

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46 \u0ba4\u0bc6\u0ba9\u0bcd\u0ba9\u0bbf\u0ba8\u0bcd\u0ba4\u0bbf\u0baf \u0b86\u0bb2\u0baf \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0b87\u0b9a\u0bc8\u0b95\u0bcd \u0b95\u0bb0\u0bc1\u0bb5\u0bbf\u0b95\u0bb3\u0bcd.<\/a><\/p>\n

\u0b9a\u0bc6\u0bb2\u0bcd\u0bb5\u0bbf<\/strong>. <\/strong>\u0baa<\/strong>.<\/strong>\u0b95\u0ba3\u0bc7\u0b9a\u0b95\u0bae\u0bcd\u0baa\u0bb0\u0bcd pg 302-305<\/strong><\/p>\n<\/div>\n

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47 \u0b95\u0bcb\u0bb5\u0bbf\u0bb2\u0bcd \u0b95\u0b9f\u0bcd\u0b9f\u0bbf\u0b9f\u0b95\u0bcd \u0b95\u0bb2\u0bc8\u0baf\u0bbf\u0bb2\u0bcd \u0b87\u0b9a\u0bc8 \u0ba8\u0bc1\u0b9f\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd<\/a><\/p>\n

\u0baa. \u0b95\u0bcb\u0baa\u0bbe\u0bb2\u0b95\u0bbf\u0bb0\u0bc1\u0bb7\u0bcd\u0ba3\u0ba9\u0bcd\u00a0pg 306-308<\/strong><\/p>\n<\/div>\n

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48 \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8\u0baf\u0bbf\u0bb2\u0bc1\u0bb3\u0bcd\u0bb3 \u0b95\u0b9f\u0bcd\u0b9f\u0bbf\u0b9f, \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd \u0b9a\u0bc6\u0bb2\u0bcd\u0bb5\u0bbe\u0b95\u0bcd\u0b95\u0bc1.<\/a><\/p>\n

\u0ba4. \u0ba4\u0bbf\u0bb2\u0b95\u0bcd \u0bb7\u0ba9\u0bcd (T.Thelaxsan), pg 309-316<\/p>\n<\/div>\n

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49 \u0ba4\u0bca\u0ba3\u0bcd\u0b9f\u0bc8 \u0bae\u0ba3\u0bcd\u0b9f\u0bb2\u0ba4\u0bcd\u0ba4\u0bc1 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd, \u0b93\u0bb5\u0bbf\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0baa.\u0b8e\u0bb4\u0bbf\u0bb2\u0bcd\u0bae\u0bc1\u0bb0\u0bc1\u0b95\u0ba9\u0bcd. pg 317-324<\/strong><\/p>\n<\/div>\n

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50. \u0baf\u0bbe\u0bb4\u0bcd\u0baa\u0bcd\u0baa\u0bbe\u0ba3\u0bae\u0bcd \u0b9a\u0bbf\u0ba9\u0bcd\u0ba9\u0ba4\u0bcd\u0ba4\u0bae\u0bcd\u0baa\u0bbf\u0baa\u0bcd \u0baa\u0bc1\u0bb2\u0bb5\u0bb0\u0bbf\u0ba9\u0bcd \u0baa\u0b9e\u0bcd\u0b9a\u0bb5\u0ba9\u0bcd\u0ba9\u0ba4\u0bcd \u0ba4\u0bc2\u0ba4\u0bc1\u0baa\u0bcd \u0baa\u0bbe\u0b9f\u0bb2\u0bcd\u0b95\u0bb3\u0bcd \u0baa\u0bc1\u0bb2\u0baa\u0bcd\u0baa\u0b9f\u0bc1\u0ba4\u0bcd\u0ba4\u0bc1\u0bae\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0bae\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8\u0b9a\u0bcd \u0b9a\u0bc6\u0baf\u0bcd\u0ba4\u0bbf\u0b95\u0bb3\u0bcd <\/a><\/p>\n

\u0b95\u0bbf\u0bb0\u0bc1\u0baa\u0bbe\u0b9a\u0b95\u0bcd\u0ba4\u0bbf \u0b95\u0bb0\u0bc1\u0ba3\u0bbe & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.N. \u0b9a\u0bbe\u0bb0\u0ba4\u0bbe pg 325-330<\/p>\n<\/div>\n

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51 Co-relation between Karana sculptures of Prambanan and Thanjavur<\/a><\/p>\n

Sujatha Mohan pg 331-336<\/strong><\/p>\n<\/div>\n

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52 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd \u0b95\u0bbe\u0bb2 \u0b95\u0bb2\u0bcd\u0bb5\u0bc6\u0b9f\u0bcd\u0b9f\u0bc1\u0b95\u0bcd\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0b95\u0bb2\u0bc8\u0baf\u0bc1\u0ba3\u0bb0\u0bcd \u0bae\u0b95\u0bb3\u0bbf\u0bb0\u0bcd<\/a><\/p>\n

\u0b95\u0bb2\u0bcd\u0baf\u0bbe\u0ba3\u0bcd\u0b9a\u0bb0\u0ba9\u0bcd pg 337-342<\/p>\n<\/div>\n

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53 \u0baa\u0bbe\u0ba3\u0bcd\u0b9f\u0bbf\u0baf\u0bb0\u0bcd \u0b95\u0bb2\u0bc8\u0baa\u0bbe\u0ba3\u0bbf\u0baf\u0bbf\u0bb2\u0bcd<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b95\u0bbe.\u0b85\u0ba9\u0bcd\u0baa\u0bb0\u0b9a\u0ba9\u0bcd pg 343-350 <\/strong><\/p>\n<\/div>\n

\n

54 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b95\u0bcd \u0b95\u0bb2\u0bc8\u0baf\u0bbf\u0bb2\u0bcd \u0baa\u0bc6\u0ba3\u0bcd\u0ba3\u0bbf\u0baf\u0bae\u0bcd<\/a><\/p>\n

\u0b87\u0bb0\u0bbe.\u0b95\u0bc1\u0bae\u0bb0\u0b95\u0bc1\u0bb0\u0bc1\u0baa\u0bb0\u0ba9\u0bcdpg 351-358<\/em><\/p>\n<\/div>\n

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55 \u0b87\u0bb2\u0b99\u0bcd\u0b95\u0bc8, \u0b87\u0ba8\u0bcd\u0ba4\u0bbf\u0baf\u0bbe \u0b89\u0bb3\u0bcd\u0bb3\u0bbf\u0b9f\u0bcd\u0b9f \u0ba4\u0bc6\u0ba9\u0bcd\u0ba9\u0bbe\u0b9a\u0bbf\u0baf \u0b87\u0ba8\u0bcd\u0ba4\u0bc1 \u0b86\u0bb2\u0baf \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8\u0b9a\u0bcd\u0b9a\u0bbe\u0ba9\u0bcd\u0bb1\u0bc1\u0b95\u0bb3\u0bc1\u0bae\u0bcd<\/a><\/p>\n

\u0ba4\u0bae\u0bbf\u0bb4\u0bbf\u0ba9\u0bbf \u0bae\u0baf\u0bc2\u0bb0\u0ba9\u0bcd pg 359-364<\/p>\n<\/div>\n

\n

56 \u0100lasa-kany\u0101s in the temple sculptures of Odisha<\/a><\/p>\n

Shalini P Vittal pg 365-370<\/p>\n<\/div>\n

\n

57 Abstract Painting Expressions and their usage in Scientific Visualization and Classifications \u2013 A study<\/a><\/p>\n

Vivek Velayutham1<\/sup>, K Raman2<\/sup> pg 371-374<\/p>\n<\/div>\n

\n

58 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bb0\u0bcd \u0b95\u0bbe\u0bb2 \u0b95\u0bb5\u0bbf\u0ba9\u0bcd\u0b95\u0bb2\u0bc8\u0b95\u0bb3\u0bcd \u2013 \u0b95\u0bb2\u0bcd\u0bb5\u0bc6\u0b9f\u0bcd\u0b9f\u0bc1\u0b95\u0bb3\u0bcd \u0b92\u0bb0\u0bc1 \u0b9a\u0bbf\u0bb1\u0baa\u0bcd\u0baa\u0bc1\u0baa\u0bcd \u0baa\u0bbe\u0bb0\u0bcd\u0bb5\u0bc8 (\u0b95\u0bbf.\u0baa\u0bbf.600 – 900)<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0bae\u0bbe. \u0baa\u0bb5\u0bbe\u0ba9\u0bbf pg 375-381<\/strong><\/p>\n<\/div>\n

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59 \u0b85\u0bae\u0bcd\u0baa\u0bb0\u0bcd \u0baa\u0bbf\u0bb0\u0bae\u0bcd\u0bae\u0baa\u0bc1\u0bb0\u0bc0\u0bb8\u0bcd\u0bb5\u0bb0\u0bbe\u0bcd \u0b95\u0bcb\u0baf\u0bbf\u0bb2\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd – \u0b93\u0bb0\u0bcd \u0baa\u0bbe\u0bb0\u0bcd\u0bb5\u0bc8<\/a><\/p>\n

\u0b9c\u0bc6.\u0b9a. \u0b9a\u0bbf\u0ba4\u0bcd\u0bb0\u0bbe1<\/sup> & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd. \u0baa\u0bbe. \u0bb7\u0bc0\u0bb2\u0bbe2<\/sup> pg 382-392<\/p>\n<\/div>\n

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60 \u0b87\u0bb0\u0ba3\u0bcd\u0b9f\u0bbe\u0bae\u0bcd \u0b9a\u0bb0\u0baa\u0bcb\u0b9c\u0bbf \u0b95\u0bbe\u0bb2 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u2013 \u0b93\u0bb0\u0bcd \u0b86\u0baf\u0bcd\u0bb5\u0bc1<\/a><\/p>\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b9a\u0bc1.\u0bb5\u0bbf\u0b9c\u0baf\u0bbe pg 393-395<\/strong><\/p>\n<\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Volume 2 – Volume 1 – March 2023 \u0ba4\u0bae\u0bbf\u0bb4\u0bcd\u0baa\u0bcd \u0baa\u0bb2\u0bcd\u0b95\u0bb2\u0bc8\u0b95\u0bcd\u0b95\u0bb4\u0b95\u0bae\u0bcd, \u0ba4\u0b9e\u0bcd\u0b9a\u0bbe\u0bb5\u0bc2\u0bb0\u0bcd \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0ba4\u0bcd\u0ba4\u0bc1\u0bb1\u0bc8 Tamil University, Thanjavur Department of Sculpture \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0baa\u0bbf\u0bb0\u0ba3\u0bb5\u0bcd \u0ba8\u0bc1\u0ba3\u0bcd\u0b95\u0bb2\u0bc8 \u0b86\u0baf\u0bcd\u0bb5\u0bbf\u0ba4\u0bb4\u0bcd Pranav Journal of Fine Arts (A Peer -reviewed Online Quarterly Journal) ISSN: 2582-9513 \u0b87\u0ba3\u0bc8\u0ba8\u0bcd\u0ba4\u0bc1\u00a0 \u0ba8\u0b9f\u0ba4\u0bcd\u0ba4\u0bbf\u0baf \u0baa\u0ba9\u0bcd\u0ba9\u0bbe\u0b9f\u0bcd\u0b9f\u0bc1\u0b95\u0bcd \u0b95\u0bb0\u0bc1\u0ba4\u0bcd\u0ba4\u0bb0\u0b99\u0bcd\u0b95\u0bae\u0bcd Cultural Heritage In Indian Sculpture – A Magnificent Art Form 01 \u0b9a\u0b99\u0bcd\u0b95\u0bc0\u0bb0\u0bcd\u0ba3 \u0b9a\u0bbf\u0bb1\u0bcd\u0baa\u0b99\u0bcd\u0b95\u0bb3\u0bcd \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0b85\u0bb5\u0bc8\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0ba4\u0bca\u0bb4\u0bbf\u0bb2\u0bcd\u0ba8\u0bc1\u0b9f\u0bcd\u0baa […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-802","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages\/802","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/comments?post=802"}],"version-history":[{"count":0,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages\/802\/revisions"}],"wp:attachment":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/media?parent=802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}