{"id":619,"date":"2021-12-02T14:10:03","date_gmt":"2021-12-02T14:10:03","guid":{"rendered":"http:\/\/pranavjournals.com\/finearts\/?page_id=619"},"modified":"2022-02-13T08:45:01","modified_gmt":"2022-02-13T08:45:01","slug":"current-issue-3","status":"publish","type":"page","link":"https:\/\/pranavjournals.com\/finearts\/current-issue-3\/","title":{"rendered":"Current Issue"},"content":{"rendered":"<h4><\/h4>\r\n<h4 class=\"wp-block-heading\">Volume 2 &#8211; Issue 2 &#8211; December 2021<\/h4>\r\n<h4>\r\n\r\n<\/h4>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/01-\u0ba4\u0bbf\u0bb0\u0bc1\u0bb5\u0bbe\u0ba9\u0bc8-\u0b87\u0b9a\u0bc8-\u0b89\u0bb0\u0bc1\u0baa\u0bcd\u0baa\u0bc1\u0b9f\u0bbf\u0baf\u0bc1\u0bae\u0bcd.pdf\">\u0ba4\u0bbf\u0bb0\u0bc1\u0bb5\u0bbe\u0ba9\u0bc8\u0b95\u0bcd\u0b95\u0bbe\u0bb5\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8 \u0b89\u0bb0\u0bc1\u0baa\u0bcd\u0baa\u0b9f\u0bbf\u0b95\u0bb3\u0bc1\u0bae\u0bcd<\/a><\/p>\r\n<p>\u00a0<strong>\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b87\u0bb0\u0bbe.\u0bae\u0bbe\u0ba4\u0bb5\u0bbf Pg no: 1-9<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/02-NANDANAR-CHARITHRAM-COMPOSITIONS-AND-THEIR-POTENTIAL-INFLUENCE-ON-HUMAN-VALUES.pdf\">NANDANAR CHARITHRAM COMPOSITIONS AND THEIR POTENTIAL INFLUENCE ON HUMAN VALUES,<\/a><\/p>\r\n<p><strong>Narayanan P Iyer, &amp; Dr Meera Rajaram Pranesh Pg no: 10-26<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/03-Numerical-Expressions-in-Valmiki-Ramaya\u1e47a.pdf\">NUMERICAL EXPRESSIONS IN VALM\u012aKI R\u0100M\u0100YA\u1e46A,<\/a><\/p>\r\n<p><strong>Y. Shanmuga Priya Dharshini, Pg no: 27-37<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/04-Ancient-South-IndianMusical-Instruments.pdf\"><strong>ANCIENT SOUTH INDIANMUSICAL INSTRUMENTS<\/strong><\/a><\/p>\r\n<p><strong>\u00a0<\/strong><strong>K.R. SUMATHI &amp; DR..LalithaSanthanam. Pg no 38-51<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/05-CONCEPT-OF-GROUP-KRITIS-\u2013.pdf\">CONCEPT OF GROUP KRITIS \u2013 AN INSIGHT, <\/a><\/p>\r\n<p><strong>H.R. Meenakshi &amp; Dr.Shobana Swaminathan, Pg no 52-62<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/06-CELESTIAL-FINGERS.pdf\"><strong>\u201cCELESTIAL FINGERS\u201d A TRIBUTE TO V\u012a\u1e46\u0100 MAESTRO EMANI SANKARA SASTRY ON THE OCCASION OF HIS BIRTH CENTENARY,<\/strong><\/a><\/p>\r\n<p><strong>Dr. Rukmani Kannan, Pg no: 63-74<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/07-SRI-TALLAPAKA-ANNAMACHARYA\u2013.pdf\"><b>SRI TALLAPAKA ANNAMACHARYA\u2013CONTRIBUTION TO MUSIC,<\/b><\/a><\/p>\r\n<p><strong>G. Vishnu sai, Pg no 75-82<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><span style=\"color: #003366;\"><strong><a style=\"color: #003366;\" href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/08-\u0ba4\u0bbf\u0bb0\u0bc1\u0b95\u0bcd\u0b95\u0bcb\u0bb5\u0bbf\u0bb2\u0bcd-\u0bb5\u0bb3\u0bb0\u0bcd\u0ba4\u0bcd\u0ba4-\u0b87\u0b9a\u0bc8-\u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd-\u0ba8\u0bbe\u0b9f\u0bcd\u0b9f\u0bbf\u0baf\u0bae\u0bcd-1.pdf\" target=\"_blank\" rel=\"noopener\">\u0ba4\u0bbf\u0bb0\u0bc1\u0b95\u0bcd\u0b95\u0bcb\u0bb5\u0bbf\u0bb2\u0bcd \u0bb5\u0bb3\u0bb0\u0bcd\u0ba4\u0bcd\u0ba4 \u0b87\u0b9a\u0bc8 \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0ba8\u0bbe\u0b9f\u0bcd\u0b9f\u0bbf\u0baf\u0bae\u0bcd<\/a><\/strong><\/span><\/p>\r\n<p><strong>\u00a0\u0b85.\u0b9a\u0bc1\u0b9c\u0bbe\u0ba4\u0bbe \u0bae\u0bb1\u0bcd\u0bb1\u0bc1\u0bae\u0bcd \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd.\u0bb5\u0bc6.\u0baa\u0bbe\u0bb2\u0bbe, Pg no: 83-96<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"wp-block-group article\">\r\n<div class=\"wp-block-group__inner-container\">\u00a0\r\n<p><a href=\"http:\/\/pranavjournals.com\/finearts\/wp-content\/uploads\/09-THIRUPPUGAZH-\u2013WORSHIP-THROUGH-CHANDAM-.pdf\">THIRUPPUGAZH \u2013WORSHIP THROUGH CHANDAM- <\/a><\/p>\r\n<p><strong>Dr (Mrs) Suhanya Aravinthon Pg no: 97-106<\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4 class=\"wp-block-heading\">\r\n\r\n<\/h4>\r\n<p class=\"is-layout-flow wp-block-group-is-layout-flow\">&nbsp;<\/p>\r\n<h4><\/h4>","protected":false},"excerpt":{"rendered":"<p>Volume 2 &#8211; Issue 2 &#8211; December 2021 \u00a0 \u0ba4\u0bbf\u0bb0\u0bc1\u0bb5\u0bbe\u0ba9\u0bc8\u0b95\u0bcd\u0b95\u0bbe\u0bb5\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8 \u0b89\u0bb0\u0bc1\u0baa\u0bcd\u0baa\u0b9f\u0bbf\u0b95\u0bb3\u0bc1\u0bae\u0bcd \u00a0\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b87\u0bb0\u0bbe.\u0bae\u0bbe\u0ba4\u0bb5\u0bbf Pg no: 1-9 \u00a0 NANDANAR CHARITHRAM COMPOSITIONS AND THEIR POTENTIAL INFLUENCE ON HUMAN VALUES, Narayanan P Iyer, &amp; Dr Meera Rajaram Pranesh Pg no: 10-26 \u00a0 NUMERICAL EXPRESSIONS IN VALM\u012aKI R\u0100M\u0100YA\u1e46A, Y. Shanmuga Priya Dharshini, Pg no: 27-37 \u00a0 ANCIENT SOUTH [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-619","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages\/619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/comments?post=619"}],"version-history":[{"count":0,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages\/619\/revisions"}],"wp:attachment":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/media?parent=619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}