{"id":549,"date":"2021-09-19T16:13:40","date_gmt":"2021-09-19T16:13:40","guid":{"rendered":"http:\/\/pranavjournals.com\/finearts\/?page_id=549"},"modified":"2025-04-28T12:30:41","modified_gmt":"2025-04-28T07:00:41","slug":"current-issue-3-2","status":"publish","type":"page","link":"https:\/\/pranavjournals.com\/finearts\/current-issue-3-2\/","title":{"rendered":"Current Issue"},"content":{"rendered":"\r\n

Volume 2 – Issue 1 – September 2021<\/h4>\r\n\r\n\r\n\r\n

Table of Contents<\/a><\/h5>\r\n\r\n\r\n\r\n
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Simhanandana Tala<\/em><\/a>\r\n\r\n\r\n

Dr. Subbu Lakshmi | Page no:1-8<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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\u0b95\u0bbe\u0bb2\u0b99\u0bcd\u0b95\u0bb3\u0bcd\u0ba4\u0bcb\u0bb1\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8\u0baf\u0bbf\u0baf\u0bb2\u0bcd \u0bb5\u0bb3\u0bb0\u0bcd\u0b9a\u0bcd\u0b9a\u0bbf<\/a>\r\n\r\n\r\n

\u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b86\u0bb0\u0bcd. \u0b9a\u0bc0\u0ba4\u0bbe\u0bb2\u0b9f\u0bcd\u0b9a\u0bc1\u0bae\u0bbf | Page no:9-23<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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PLUCKING TECHNIQUE IN VEENA<\/a> \u2013 An overview<\/a>\r\n\r\n\r\n

Dr. Shobana Swaminathan | Page no: 24-32<\/p>\r\n<\/div>\r\n<\/div>\r\n\r\n\r\n\r\n

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Dr Ranganayaki Sachidanandan | Page no: 33-49<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Dr Madurai K. Thiagarajan | Page 49-69<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Dr R. chandra | page 70-79<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Dr. N. Muthukrishnan | page 80-89<\/p>\r\n<\/div>\r\n<\/div>\r\n

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PLAYING TECHNIQUES OF VEENA & SITAR- A COMPARATIVE STUDY<\/a>

D.Niveditha | page 90-98<\/p>\r\n<\/div>\r\n<\/div>\r\n

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NAVA-VIDHA BHAKTI THROUGH THE COMPOSITIONS OF MUTHUSWAMY DEEKSHITAR<\/a>

Carthik Shankar | page:99-123<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Ra\u0304gaMudra\u0304s in S\u0301ri\u0304 Muttuswa\u0304myDi\u0304ks\u0323itar\u2019sCompositions<\/a>

Shivashankari J | page: 124-133<\/p>\r\n<\/div>\r\n<\/div>\r\n

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\u0b95\u0bb2\u0bc8\u0b95\u0bb3\u0bbf\u0bb2\u0bcd \u0bb5\u0bb2\u0bcd\u0bb2 \u0b9e\u0bbe\u0ba9\u0bb5\u0bbf\u0ba4\u0bcd\u0ba4\u0b95\u0ba9\u0bcd \u0bae\u0bc1\u0bb0\u0bc1\u0b95\u0b95\u0bcd \u0b95\u0b9f\u0bb5\u0bc1\u0bb3\u0bcd<\/a>

\r\n\u0bae\u0bc7\u0bb0\u0bbf \u0bae\u0bbe\u0b95\u0bbf\u0bb1\u0bc7\u0bb1\u0bcd \u0b9a\u0bc2\u0b9a\u0bc8 & \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd. \u0bb2\u0b9f\u0bcd\u0b9a\u0bc1\u0bae\u0bbf \u0bb0\u0bbe\u0bae\u0b9a\u0bbe\u0bae\u0bbf| Page: 134-146<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Music: It\u2019s Effectiveness in South Indian Classical Dance – Bharathanatyam<\/a>
Aparna. R | page: 147-159<\/p>\r\n<\/div>\r\n<\/div>\r\n

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A Study of Raga Shanmukapriya \u2013 An analysis<\/a>
Mrs. Maanasa Sriram | page: 160-170<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Lyrical beauties in the compositions of Sri Muttuswami Dikshitar<\/a>
T. Sarada | page: 171-184<\/p>\r\n<\/div>\r\n<\/div>\r\n

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MATRU SRI TARIGONDA VENGAMAMBA \u2013 CONTRIBUTION TO MUSIC<\/a>
G. Vishnu sai | page 185-193<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Compositions of Sri Tirupati Vidyala Narayana Swamy Naidu with special reference to his Javali<\/a>
Mrs.E.Sreelakshmi & Dr. J. Sankar Ganesh | page: 194-203<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Behaviour of Swaras in Mela Ragas Harikambhoji and Dheerasankharabharanam as handled by Thyagaraja Swamigal-A Study<\/a><\/p>\r\n

PUSHPA HARIHARAN | page: 204-223<\/p>\r\n<\/div>\r\n<\/div>\r\n

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Sathanar\u2019s PaniruKoothu<\/a>
V.Vijayalakshmi | page: 224-231<\/p>\r\n<\/div>\r\n<\/div>\r\n

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DIFFERENCES OF ABHINAYA IN BHARATHANATYAM AND
ANDHRANATYAM<\/a><\/p>\r\n

Mrs R.Priyadharsini & Dr.R.EZHIL RAMAN. | Page 232-240<\/p>\r\n<\/div>\r\n<\/div>\r\n

GURUKULAM TRADITION AND VIRTUAL TECHNOLOGY<\/a><\/p>\r\n

Dr.R.Madhavi. |Page\u00a0 241-247<\/p>\r\n","protected":false},"excerpt":{"rendered":"

Volume 2 – Issue 1 – September 2021 Table of Contents Simhanandana Tala Dr. Subbu Lakshmi | Page no:1-8 \u0b95\u0bbe\u0bb2\u0b99\u0bcd\u0b95\u0bb3\u0bcd\u0ba4\u0bcb\u0bb1\u0bc1\u0bae\u0bcd \u0b87\u0b9a\u0bc8\u0baf\u0bbf\u0baf\u0bb2\u0bcd \u0bb5\u0bb3\u0bb0\u0bcd\u0b9a\u0bcd\u0b9a\u0bbf \u0bae\u0bc1\u0ba9\u0bc8\u0bb5\u0bb0\u0bcd \u0b86\u0bb0\u0bcd. \u0b9a\u0bc0\u0ba4\u0bbe\u0bb2\u0b9f\u0bcd\u0b9a\u0bc1\u0bae\u0bbf | Page no:9-23 PLUCKING TECHNIQUE IN VEENA \u2013 An overview Dr. Shobana Swaminathan | Page no: 24-32 \u0baa\u0bb2\u0bcd\u0bb2\u0bb5\u0bbf\u0baf\u0bbf\u0bb2\u0bcd \u0b85\u0bb5\u0ba4\u0bbe\u0ba9\u0bae\u0bcd Dr Ranganayaki Sachidanandan | Page no: 33-49 \u0bb2\u0baf \u0bb5\u0bbe\u0ba4\u0bcd\u0baf\u0b99\u0bcd\u0b95\u0bb3\u0bbf\u0ba9\u0bcd \u0ba8\u0bb5\u0bc0\u0ba9 \u0bb5\u0bb3\u0bb0\u0bcd\u0b9a\u0bcd\u0b9a\u0bbf\u0b95\u0bb3\u0bcd […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-549","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages\/549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/comments?post=549"}],"version-history":[{"count":0,"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/pages\/549\/revisions"}],"wp:attachment":[{"href":"https:\/\/pranavjournals.com\/finearts\/wp-json\/wp\/v2\/media?parent=549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}